Diwan-e Shams Ghazal 2430

Authors

  • Jalal uddin Rumi-Ahmad Javaid Author

DOI:

https://doi.org/10.66207/jis.v17i1-2.227

Abstract

The Persian ghazal has long served as a luminous vessel for articulating the metaphysical experiences of Sufis, but no one has employed it with greater mastery and lyrical density than Mawlānā Jalāl al-Dīn Rūmī (d. 672/1273). Among the vast corpus of his Dīwān-i Shams-i Tabrīzī, ghazal number 2430 stands out as a paradigmatic instance of what may be termed a “metaphysical itinerary”—a structured poetic unfolding of the soul’s journey from finitude to infinity, from the veils of form to the presence of Essence. Opening with a declaration of the seeker’s departure from the ephem- eral realm (der-i fānī) toward the station of permanence (baqāʾ), the poem immediately situates the wayfarer not within the landscape of mere longing or abstraction, but upon the active path of realization— marked by certainty (yaqīn), not conjecture. Across its thirteen couplets, the poem charts a layered ascent that traverses the physical, psychic, cosmic, and noetic planes. In doing so, it synthesizes and presents cen- tral themes of Islamic cosmology, using Qurʾānic allusions, and the on- tology of insān-e kāmil—the Perfected Human.

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Published

2024-06-01

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